Wednesday, 10 October 2012

Macross Frontier (Movies)

MACROSS FRONTIER

(THEATRICAL MOVIES)



The two movies released for Macross Frontier, "Itsuwari no Utahime" (The false Songstress) and "Sayonara no Tsubasa" (The Wings of Goodbye) that are set in an "Alternate" timeline and while the overal plot remains close to the TV Series, many events are altered. 


OVERVIEW - An alternative retelling of the story seen in the TV series, The movies compress a lot of the more mundane, "slice of life" style scenes and has a larger focus on the music and battles. The first film takes advantage of the 2 year release gap to update and improve its use of CG, while the second film leaps to the forefront of the field for animated features using CG. A nice "extra" to the series, they are best watched after  the series itself. 


REVIEW -   Choosing to re-work the story instead of simply adapting it or continuing it from the series, The movies feature most of the major events from the series, but with alterations and in some cases major differences. 

Some of the more obvious differences right off the bat include the fact that Alto and Ranka already know each other at the start, as its Alto who gets Ranka her concert tickets, not her brother, The rescue of Sheryl during the first attack instead of just Ranka. The politicians of Frontier being aware of a plot by Galaxy from the start as well as Sheryl's awareness of parts of said plot.

The movies story is more heavily focused on the singing and battle aspects, which when you think about it makes sense for a theatrical release, no need to try and squeeze in lots of friendship-building scenes when you only have 120 minutes or so, but as a result we're treated to upgraded CG in both the concerts and fights. The opening show for Sheryl is a jaw-dropping holographic event, dripping with high-class CG and a new, more sultry image for Sheryl in the form of new Yoko Kanno work "Universal Bunny" with more than a little touch of Sharon Apple's style worked in. While the first half of the first movie has little space-battle action, the later half more than makes up for it, with some seriously intense and massive action, including a lot more featuring my personal favourite of all the Macross-style ships, the Macross Quarter, easily the most kick-ass 400 metre's in all anime existence.

The second movie ramps up Sheryl's new sexy image with an opening piece not only stunningly animated, but very close to the knuckle, while Ranka turns the cute up to 11 as her singing career recieves a closer look this time around. The second movie also see's the story move further from the TV series, as a culmination of the changes made in the backstory and events in the first film. This see's several people who died in the series manage to live through the events or equivalents that killed them before, and it also forces a much different ending in to place, with no Battle Galaxy around, Ranka not leaving the fleet and The city part of the Frontier fleet landing on the planet much before the "end" as it did in the series

The movies also resolve the love triangle, but if you're hoping for a happy ending for which ever pairing you preferred then dont get your hopes up, while the ending is "good" in that more people survive it, get redeemed and go on to start to settle the planet, its almost as if the writers decided to punish the angry fans who complained that the triangle was left unfinished in the series, giving the ending a very very bittersweet slant. Its also worth mentioning that the epic battle that took up most of the last two episodes is condensed here, but the production on it is so stunning it'll literally burn itself into your mind. Backed with the song "Sayonara no Tsubasa" which is one of the most epic pieces in the film the dog fighting between the VF's over the backdrop of capital ships and massive Macross Battloids is simply a masterpiece.

Now confirmed as an alternate universe version of events, the movies increased production and altered story make them well worth watching even if you're already familiar with the series. in all honesty they're probably some of the best mecha anime films out there.

MACROSS LOVE TRIANGLE

Much different to the series while still featuring the same people, in basically the same situations. Ranka's attraction to Alto is made obvious from the very start, and Sheryl's new raunchy image puts a much more adult slant on her approaches to Alto. For his part, Alto seems less oblivious to the attraction of Sheryl, but still either unaware or unsure how to respond to Ranka's advances. While the resolution to this triangle should come as no surprise, the events of the ending mean the triangle is only resolved in words, rather than action.



SUMMARY -

Story - Different to the series, its hard to judge. For a movie its surprisingly packed, with plenty of events running at a steady fast-pace across the two, but when compared against the series there's so much left out and just plain not covered, such as the difference between the bioplants and the chemical plants, why Galaxy is using cybernetics when Frontier doesnt, How Frontier became aware of the Fold crystals more special properties.. if asked to judge it against the series, the story for the movies is lacking somewhat, but as a pair of films taken on their own merit, its high scores, and as these reviews always take non directly connected films and series on their own... 9/10

Production - Ramps the values of the series up as high as they'll go, and keeps them there, with the second movie clearly showing an increased mastery of the CG it uses over the first film. "on-the-ground" action sequences no longer have the "blurry/distorted" styles, and space battles not only look better static, but the fluidic movement and realistic dogfighting styles are some of the best on any screen. Voice casting remains the same, and while Ranka's voice has obviously matured a little, it still remains full of infectious enthusiasm, Sheryl still has her haughty bite to her tone and Alto's emotional states are expressed exceptionally well again. giving this aspect less than ten would be a crime. 10/10

Music - Once again scored, arranged and with insert songs from Yokko Kanno, the movie's newer CG techniques and increased budget give the loved songs from the series a vaster stage to play on, and the new material, mostly aimed at enhancing the divide between Sherly's and Ranka's images is as good, if not better than the series. If the series's score and soundtrack was perfection, then this is how one improves upon perfection. 10/10
 
Accessability - With a larger focus on the music, the obviously influence of Japanese concerts, or "lives", comes into play. While not essential to the plot for one to understand, without foreknowledge of audience styles in this respect some parts seem odd, or bizarre. Other than that, there is very little to mark this out as "Japanese" specifically, making it very accessible to the western viewers who probably dont even know anything about it thanks to the legal wrangles surrounding the Macross Saga which have seen it mostly blocked in the States. 9/10

Overall Impression - Containing some of the best music in anime, stunning visuals and a shortened but still twisting, turning, shock-filled story, There's very little to fault here. There's some plot holes in places, and areas that may have warranted some foreshadowing or deeper development, such as Sheryl's connection to the events of Macross ZERO, but overall this is a stunning action anime, set in space between the forces of humanity, aliens and the cold, cruel actions of the selfish, backed with songs that'll stick with you for days and a love story that'll leave many in tears. 10/10


Final Score - 48/50
 

Monday, 8 October 2012

Macross Frontier (TV Series)

MACROSS FRONTIER

(TV SERIES)


The third and latest TV series from the Macross Saga, set aboard the 25th Macross-class colony ship, Frontier. Created as a tribute to the 25th anniversary of the release of the first series, Frontier features many small Homages to the previous series and OVA's, primarily the ones I've reviewed.


OVERVIEW - Set in 2059, the 25th Macross-class colony fleet, Frontier, is deep into its planned voyage towards the Galactic core. The current top galactic songstress, Sheryl Nome, is set to perform the last few shows of her galactic tour onboard the Frontier but as her concert gets underway, the fleet comes under attack. In a story that will change the face of the Macross universe forever, we follow Sheryl, A pilot called Alto Saotome and a young wannabe singer called Ranka Lee as they face the ups, downs and emotional whirlwind of the life-changing events happening around and to them.


REVIEW - With our feet firmly back into Solid production, good storywriting, realistic physics and likable characters, we're also then treated to the joyous reunion between the macross saga and Yoko Kanno. Finally we can put the nightmare of Macross 7 behind us! (mostly....)


The plot is frankly huge, and to try and give you a blow-by-blow account would likely take me several days of solid typing. it basically follows the conflict between The Frontier fleet and a race of insectoid aliens known as the vajra, the political machinations behind the scenes over the conflict and a new resource victory awards, a type of crystal that enables almost instant communication and movement through the fold process, a crystal found embedded inside the vajra. The politicians of Frontier seek this resource as it would enable them to effectively control the economics of the whole galaxy, while another group from the Sister-fleet "Galaxy", home fleet of Sheryl Nome, are planning something much more sinister. The two groups interact between the political aide, Leon, from frontier and Sheryl's manager Grace, each side trying to play the other into being the fall-guy while reaping the rewards for themselves.

Caught in the middle of this is a trio of people, The "Galactic Fairy" and current favoured songstress, Sheryl Nome, the disowned son of a famous Kabuki actor and pilot in training Alto Saotome and the 1/4th Zentradi girl Ranka Lee, who dreams of being a singer like her idol Sheryl. In a series of events and co-incidences the three become increasingly tangled in each other's lives, as Alto joins a private military company, The Strategic Military Services, or SMS to protect his friends, Ranka's past, the tragedies and pain as well as a very important secret and Sheryl's collapsing fame and health collide in the most pronounced love triangle of the series so far. 

There is tragedy, there is betrayal, there is intrigue and mystery and the manipulation of dreams. Ranka's rise to fame is in her eyes, due to Alto's support, even if it keeps her away from him, unknown to Ranka though is the fact that it is all created to make use of her unique birthright, and as Sheryl's fame collapses and the truth behind her manager's schemes comes to light she finds herself leaning more and more on Alto, her true feelings for him becoming her driving force as her health also begins to fail. Alto is oblivious to the depth of feeling the two girls have for him, seeking only to protect them and their dreams yet finding himself questioning his actions again and again. As friendships fade and long hidden truths come to light, the motives of the group from The Galaxy fleet come to light, but too late to prevent Frontier's almost suicidal all out attack on the Vajra homeworld. Alto comes to realise the real truth about himself, the battles, the vajra and the feelings of the two girls always seeking to be by his side during this battle, and as the plots of both the Galaxy group and the political aide Leon unravel during the heat of battle, and understanding is reached between the Vajra and humankind thanks to the music of the two singers, the Frontier touches down on what is to become their new home. 

All of this is played out through scenes that shine above anything before it in the macross saga. Backdrops are lovingly created and highly detailed, The Valkyries all rendered in stunning cel-shaded 3D and taking the dogfighting of PLUS and ZERO to a new level. The concerts are closer to the massive audience-interactive shows seen in PLUS from Sharon Apple rather than the "episodic mass-seizure-fests" seen in 7, and while some of the "ground" action scenes are made in that horrible, blurry/distorted animation style common in anime for the most part the show is fantastic for keeping a "real" feel to it. 

Backed by a soundtrack and insert songs composed by Yoko Kanno, an anime goddess of phonics, and with the exceptions of the "nods" to previous series (Ozma's a fan of firebomber, Ranka sings a couple Minmay songs) Kanno's music laces the whole series with a sense of "Epic" most TV shows never approach. From the piece "Big Boys" to the John William's-esque "Tally ho" with their huge orchestral feel through to little pieces like "high school life" which is likely to evoke feelings of another Kanno-scored piece (cowboy beebop) the soundtrack is immense, and skillfully used to really pump up the scenes. Responsible also for all of Ranka's and Sheryl's "original" songs, Kanno's diversity is obvious to see when comparing the two, such as Ranka's song "Anata no oto" and Sheryl's later anthem, "Northern Cross". The two singers also have themes relating to their home fleet's focus, with Ranka coming from Frontier, her music is more organic, natural and Sheryl from the Chemical plant fleet Galaxy having a more Electronic, dance-like feel, themes kept at all times by the respective singers, even when performing each other's pieces, such as Ranka's impromptu song in the Zentradi Mall, originally one of Sheryl's. The concert's songs are also often used as backing for a battle happening at the same time, to massive effect. None more so than the (Kanno arranged) "Nyan Nyan service medley" used in the very final battle of the series, a 12 minute long mix of all the major songs of the series, including the Kanno-written openers and closing themes. Its in this series that the premise of a "Space Opera" really comes into full force, with an epic tale skillfully backed with equally epic music played out with amazing visuals. 

One of the best anime series out there, easily the best Macross series, its even more enjoyable once you've seen all that comes before, as you notice the Homage's made to the previous series and appreciate how well integrated the whole saga is into this series. This is how mecha/space battle anime's should always be made.

MACROSS LOVE TRIANGLE

The most pronounced and obvious triangle of the series, fueled mostly by Alto's kindness and obliviousness. His encouragement and support of Ranka leads her to fall for him, and his way of treating Sheryl as any other person at the height of her fame, and his refusual to let her give up when she is at her lowest is what causes her to fall for him. The series never resolves this, with the ending literally being Ranka telling Sheryl "i wont lose to you, not in singing or in love", to which Sheryl replies "I accept your challenge" and Alto's feelings never being made clear other than his decleration that "the two of you are my wings". Many fans dislike this, feeling Alto should have made a choice between the two, but I for one like the idea of leaving it unresolved. Both female leads are strong, caring women with opposing styles and personalities, neither one really being a "wrong choice", and while he shows compassion for Sheryl, taking care of her while Ranka is searching for the Vajra homeworld, his statement that he wouldnt let Ranka be used as a weapon against humanity (due to manipulation by Leon) and if it came to it he would kill her himself is noted by both Sheryl and Klan Klan (to whom he's talking directly with) as an indication of how deep his love for Ranka is.

While not overpowering of the action, the interactions of the three is a large part of the show, and its exceptionally hard not to see it, and how it affects the whole plot. For me its one of the more interesting love triangles out there, because its not resolved, and if it ever was, it'd be heartbreaking.


SUMMARY -

Story - A peice that mixes everyday life, invading aliens, frantic combat, singing and the associated fame and behind-closed-doors style political intrigue, Frontier's story reaches for many buttons, and hits them all. Building on the history of the Macross saga while also managing to be a complete story in itself its characters are well written, develop well and generate honest, emotive responses. Larger in scale than previous series, with the literal fate of all mankind on the line due to the deliberate actions of one person its never so grand that the individuals feel small and forgotten to the action. Well paced with revelation and shock coming exactly when needed its ending feels a little weak, possibly left for sequels or OVA's to follow and continue the tale. 9/10

Production - Head and shoulders above the rest of the saga, its also above par with its contemporary shows, with only a couple of instances of unpleasant, distorting/blurry action animation to mar it, it makes heavy use of well blended CG, with all the Valkyrie, mechs and ships being rendered this way, along with 90% of all the alien animations. Voice acting is superb, with Ranka's voice actress in her break-through role being one of the first female voice actresses of late who give a genuine, natural feel to the parts, rather than the more regulated feel of some (compare Ranka's infectious enthusiastic style against Grace's vocal style for example) which in my opinion is exactly what every anime needs. 9/10

Music -  Yoko Kanno - no more needs be said. 10/10 (but for the sake of fairness.. I've already discussed how amazingly apt the music is here, perfectly written to convey and enhance emotive scenes. Kanno also wrote all the insert music save for the "classic" pieces, as well as the intro/outro pieces. Those pieces tend to change depending on the version you watch, but the openers are generally a duet between Ranka and Sheryl, and the endings are mostly Sheryl pieces, as her singer is a larger star. Talking of, Sheryl's singing voice is provided by a different person to her normal vocal actress, but the normal feeling of discontinuity that happens when this is done isnt here, because the voices gel so well, you can barely tell that its not the same person. All of Ranka's vocals were provided by the then-18-yr-old Megumi Nakajima in her first acting and singing roles. its a testement to how good she is that her singing can match up with the professional singer May'n who sang for Sheryl. Many of the singles released by these two charted in Japan's top ten)

Accessability -  A little tricky to call, the Kabuki referances wont make much sense without a little research, but overal there's no other real cultural referances that wont make sense to a western fan of the Macross saga, as most of it referances things already common in the macross world. 9/10

Overall Impression - While steeped in the macross history, filled with little tributes to the past series, the story of Macross Frontier is strong enough to stand alone without the macross tie-in. Visually impressive in its battle scenes and with a great sense of humour (like Sheryl telling Alto who'd accidently seen her naked chest that if he distributes the optical data she'd kill him, but if he just wants to "use it for yourself just for tonight" thats ok... XD) and with its heroes slowly drawn out from the every day life into events that will shape the galaxy for generations to come, its just one of those stories you cant get enough of. The music stands alone as a thing of admiration, beauty and an unbeatable skill of composition that no-one i've come across can compare to, and its so well worked in to the series, in its scenes, in its very story, that it simply brings an amazing piece of work into the realm of a true timeless classic. One to watch, NOW! 10/10


Final Score - 47/50

Sunday, 7 October 2012

Macross 7

MACROSS 7


The first "official" TV series sequel to the SDF MACROSS series, Released in 1994 Just after the PLUS OVA's.


OVERVIEW - After the series "Macross II" was made non-canon, an "Alternate universe" story, The next TV series officially confirmed as canon, and the continuation of the MACROSS saga was MACROSS 7. Set in 2045, 5 years after PLUSS and 35 after the end of Space War 1, The story is set aboard the 37th colony fleet, the 7th of the new "Macross-class" colony ships. It follows the fortunes of the 4 piece rock band, Fire Bomber, as the fleet comes under increasing attack from a strange new enemy.


REVIEW - I'll be frank from the start here. If not for the association with MACROSS and information regarding the overal meta-plot of the macross saga's universe, I would avoid this series at every single chance. The following review may be harsh and should be avoided by small children, pregnant women, people with heart conditions and any fans of the fictional band Fire Bomber. 


The "plot", if it can be called that, is fairly simple, the macross 7 fleet is under attack by villains from another dimension, likely the dimension of rejected-for-being-too-crap saturday morning joke cartoon villains.Only the "magical" singing of Fire Bomber can save the fleet, and they invent even more ridiculous "Weapons" to make use of "Sound Energy" to combat these space-elves.. 

no, i'm not shitting you. this is the actual plot.


Fire Bomber in the series is based around the arrogant, self-centered jerkass Basara, who doesnt give a crap about anything but singing his songs. Supported by Shifty-Ray, who seems to have fingers in every pie in existance, and the ever-silent Zentradi (Meltrandi) Drummer Veffidas (who has a total of 3 speaking parts in 49 episodes) and at the start of the series they are joined by the 14 yr old 7th daughter of original series insta-married couple Max and Milia, Mylene. Performing on massive stages to crowds of about 30 people to begin with, the band's fame eventually grows. 

Basara's other passion is flying his state-of-the-art VF19 into battles, however he doesnt fight, he sings. even his controls have been modified to being a guitar. Honestly, i couldnt make this shit up. He often gets mopey and irritated when the enemy, who are more interested in attacking, dont listen to his music. 

Meanwhile, Mylene's mother Milia, now estranged from Max, who is also mayer of the City part of the macross 7 ship, seems to spend all her time having her goons stalk and perv on her 14 yr old daughter, her intent is to stop her playing that "rock and roll music" like someone from the 50's would.. she then decides to give this up if Mylene agrees to meet someone Milia wants to set up an arranged marriage for Mylene with. Eventually agreeing, Mylene becomes aquainted with Gamlin, who's been getting his flight suit in a twist over Basara's music related stupidity in battle. Of course, Gamlin is instantly attracted to the seemingly pre-pubescent Mylene (she's 14 remember) and thus begins a cat-and-mouse game where Mylene lies about being in a band to Gamlin, yet still takes advantage of his generousity, accepting gifts and dates from him. 

The military cant stop the attacks, and rather than killing the pilots they seem "drained of the will to live", ending up in catatonic states. No-one can work out what is going on, except us veiwers of course, because we get cartoon level villainy exposition from the bad-guy side, rambling on about spiritia endlessly. Its worth mentioning now that the lead bad guy is in fact a man. Yes, the body he's possessing is a man, the being possessing it is a man. I know the long blond hair, pretty face, lipstick and woman's voice makes it look like a woman, but its a guy. This whole style was pretty popular in anime's in the 70's, quite why they revivied it for a mid-90's anime i dont know. Anyway. enemy soldiers with their apparently technological devices to draw "life energy" from people, have infiltrated the city and are attacking people. Seems no-one thinks anything of men wandering around in screen-glasses, massive mouth-guards and trenchcoats, but are blaming "vampires" for the attacks. 

this awful crap goes on for like 20 episodes, until Mylene's connections to both the military and the mayors office (her dad Max is captain of the fleet) lands the band with a TV role, recreating the "epic story of Lynn Minmay". This obviously proves she's been lying to Gamlin but he's fine with it. Around this time the bad guys revive one of their companions (because seeing the same guy repeat useless attacks over and over gets boring), who resembles an elf and is called sivil. Sivil speaks in short sentances, all involving the term "spiritia". This gets old about 20 seconds in. They attack the fleet, and Sivil apparently has an orgasm from hearing Basara. (that or the WORST case of constipation ever, its hard to tell with the terrible animation) she passes out and falls into the ship. Sorry, i forgot to mention that Sivil can fly in space, without a suit, and can talk without radios too, and move faster than the speed of light. Seems all that effort SDF MACROSS went to to establish the consistancy of physics between its universe and ours was for shit because MACROSS 7 pisses all over it. 

People start to notice that Basara's awful music makes the enemy flee, and likely out of pity, more people start to come to Fire Bomber's shows. In classic "cartoon villain timing" the enemy always seem to attack when Fire Bomber are playing a show, leaving Basara to run off to his valkyrie and sing to them, causing more orgasm/constipation in sivil to the point where she begins to stalk Basara by possesing people near him. Eventually just coming to see him, his music causes her to explode and blast off team rocket style, leaving her in a forest in a space-elf coma, IE naked in a glowing, floating bubble. Eventually found by Basara, he spends every moment singing to her, trying to wake her up. 

The military, revealed to be behind Basara's state of the art valkyrie via shady-Ray's dodgy dealin's, decide to give mechs to all the members of Fire Bomber, after finding out that Fire Bomber's music is the only thing that can revive the catatonic people if played to them endlessly (i'd raise from the fucking dead to escape it if someone played it nonstop at me), so now the whole band can fly into space and play music at aliens. yay. Named "Sound Force" because having a different name when playing in space to aliens is very important, they are backed up by a proper fucking nutjob "doctor" who also designed special backpacks that turn you into a super sayien when you sing "boost sound energy into warping light and time/space" and then "sound boosters" to go on the mechs to make use of this in space, because vibrational energy is very important in a vacum....

When the military find out about Basara singing to comatose space elfs in the forest, the do the logical thing, and kidnap the space elf, causing her alien friend to go on a rampage with Basara who, with help from aliend-friend and his magical technological spiritia beam and Basara's new song about power to rainbows or some shit, sends space-elf flying off into the distance, quickly followed by alien-friend. Basara gets even more mopy and buggers off trying to find her. Followed by Mylene and Gamlin, who have some very dodgy scenes (SHE'S 14 FOR FUCK SAKE), Basara eventually convinces them that he's out there looking for "his reason for singing" before vanishing off again. Eventually finding alien-friend and space-elf at a volcano, Basara saves the day when space-elf sinks into the volcano, which also collapses into the sea, by singing his "power" song again, which causes a perfectly preserved ruin, complete with green grass around it, to rise from the exact point where the volcano was. Thats right, Basara's songs have the power to ignore plate tectonics as well as logic and taste!

anyway... we finally get to an important part. 

The ruins are from the protoculture, and depict the story of the protoculture, long lost in the history of the Zentradi. They were the first beings to develop culture in the galaxy, and their race grew with two factions in it. Eventually stepping out into space they began warring with each other. Creating the warrior races of the Zentradi and Meltrandi as proxy's for the battles, they continued to develop more and more weapons, resulting in the creation of a race of beings called "The Evil" (pronounced "Ehvul" but i mean, seriously, a race called evil...) who were terrifying biological weapons. However the Evil were taken over by energy beings from another dimension, who came to seek Spiritia, life force, to feed on. these beings were called the protodevlin and they all but destroyed the protoculture, and most life in the galaxy until they were sealed by a power known as "anima spiritia". With the protodevlin on the move again, its obvious something disturbed their seals but before the "avatar of the protoculture" in the ruins can explain what anima spiritia is, the ruins are attacked and destroyed by a new combo of awakened protodevlin, a giant rampaging monster and a little butterfly/bird thing that endlessly spouts on about "beauty", seriously, every. fucking. sentance. the beauty of annoyance.

And so we return to the merry-go-round of endless battles, with the same old shit going on again, attack, retreat, attack, retreat from the protodevlin, scared off by Basara's songs. The bad guy's ultimate plan, long revealed by this point as being turning the humans, capable of regenerating their spiritia, into livestock for the protodevlin to feed from eternally, begins to take shape, and every attempt at fighting them off fully ends in failure. The series ends with an attempt at drama, with Basara near-death and the fleet under attack from the bad guy's final form, a "Spiritia black hole" that'll suck all life out of the universe, before Basara wakes up, sings a lot and in the last 10 minutes the Protodevlin also begin singing, realising that they can generate their own spiritia and leave the galaxy. 

*********

The biggest problem with MACROSS 7 is the production. The show was obviously produced on so little budget they likely dreamed of being upgraded to a "Shoestring budget". Even in the first episode we have jerky animation, repeated scenes, continuity errors, body shape distortions and colour glitches. It doesnt get better, in fact episode 39, not even a clip-show episode, has NO unique animation in it, made completely from recyled scenes. The voice acting is wooden in many places, even the score is recyled from PLUS and the non-canon Macross II. The band "rocking out" looks like they're having some kind of physical seizure, same with the audience "Dancing" and also sadly in the combat scenes. 

Fire Bomber's music is poorly produced too, with the sound mix being too heavily focused on keyboard parts and/or male vocals, even in the songs Mylene sings solo. The laughable point is when the songs always sound exactly the same, then the characters are complaining about others coming in early, or late. What I wonder about is how the members are shown practising or playing on their own but the whole band's sound can be heard, while on some occasions you see one of them press a switch to start playback on something, its never stopped in the same way, with the music "magically" stopping when they do. You have Basara or Mylene singing without backing, without amplification yet their voices are heavily produced, with backing and echo effects. 

My personal take on MACROSS 7 is that without the inclusion of the macross brand and characters, this series is not worth watching. Poor by mid-80's standards the fact that it came out a few months AFTER the amazing work of MACROSS PLUS is something the studio behind macross should be eternally ashamed of. Barely watchable and an insult to the well produced PLUS and Frontier shows, 7's only redeeming features are the introduction of more backstory for the Zentradi races and the Macross class ships, made up of the carrier at the front and the city ship at the back, capable of seperation into "Battle *fleetname*" and "City *fleetname*". One to avoid if you like you sanity.

MACROSS LOVE TRIANGLE

Virtually non-existant thanks to the plots focus on how "Awesome cool Basara is" and its terrible "saturday morning cartoon" feel, the only real triangle would be described as the feelings of Mylene for both Basara and Gamlin. Its possible it was downplayed due to Mylene's very young age, not that it stops the endless panty-shots of her, nor every pilot in the fleet hitting on her either. Mylene admits to feeling the same for Basara as she does for Gamlin in the final few episodes, while Gamlin proposed to Mylene on her 15th birthday. Basara is oblivious to everything but himself and glowing space-elves.

SUMMARY -

Story -   Laughable but not in the good way, each episode plays out like an episode of power rangers, with the bad guys acting like Pokémon's Team Rocket and "blasting off again" at the end of most episodes too. Pissing on the hard work of previous series efforts to establish themselves as realistic science-based fiction, MACROSS 7's plot, bad guys and heroes avail themselves of the realms of psuedo-science and plain mysticism. Characters are utterly devoid of charm, realism or redemption and grow about a much as a seed in an airtight container. I personally find it offensive that this pile of steaming crap is considered an actual part of the macross saga. 1/10

Production - Apparently animated by chimps working for a cup of tea, everything that could be wrong with an anime is present here in spades. Repeated scenes, poor animation, utter lack of care with timing, distorting figures and object so bad that at one point you can see Basara's glasses change shape and size IN A SINGLE SHOT. The only CG used is in the intro and is so obvious you'd need to be blind to miss it. Voice acting is awful, emotional responses are forced and fake sounding and it sounds like most of the cast rushed their work. Continuity is sorely missing at all points. Even the notably poorly produced and rushed work of SDF 12 years previous is better done than this. 1/10

Music -Recyling music from other series for the score, the original music is provided by the fictional band Fire Bomber. Serving as a stark reminder that the awful hair metal of the 80's never died in Japan, the overly pompus and overproduced sound of this band grates on the nerves. With TWO different singers for both Basara and Mylene there is little to no continuity between songs or spoken parts, not to mention the utter discontinuity between anything sung by Basara as default and the style of the songs sung by Mylene. Basara's songs tend to be about how awesome his music is and how everyone should be having a great time just because they're listening to it, though the songs "written" when he's singing to the space-elf are overly-forced "poetic" love songs in a "rock" theme, while all of Mylene's pieces are the same forced poetry love-song style, in soft ballad format. The opening piece is another awful Basara track, with Mylene songs closing out. Somehow over a dozen albums of Fire Bomber's music have been released in Japan and they continue to sell. makes no sense to me. 1/10

Accessability - The only macross series to involve Japanese culture heavily, with "Arranged marriages" and Kimono's given as gifts, a heavy, unnatural obsession with a 14 yr old girls groin and rear and many other points, about the only thing missing is a hot spring.. Still relatively watchable from a culture point of view, but much, much less so than other series. 5/10

Overall Impression -Terrible story, worse production and annoying music, the weakest link in the macross saga. its 49 episodes of hell for me and possibly even possible of making me physically unwell due to watching it. 1/10


Final Score - 09/50

Thursday, 4 October 2012

Macross PLUS

MACROSS PLUS



The 4-part OVA sequel to Macross, released in 1994. Centering on a former love triangle, re-united after 7 years back on their home planet. With the two men competing as test pilots and the women now a producer for the hottest celebrity in the Galaxy, the AI songstress, Sharon Apple.


OVERVIEW - Set 30 years after the end of Space War 1 (thats 2040 if you were wondering)the OVA's departs from the space battle theme, and focuses on the interpersonal relationships of three former friends and members of a love-triangle that ended badly for them all, as well as the testing for the next generation of Variable Fighter in the form of two competing designs. Notable for its at the time groundbreaking use of CGI in an anime as well as the first point of collaboration between the Macross Saga and the composer Yoko Kanno, with Kanno's ethereal music providing much of the reasons for the high level of respect this series enjoys in the fan base. 


REVIEW - In 2040, the hotshot pilot Isamu Dyson is pulled from fontline duty and assigned to a test centre, noted as about the only place that would take him due to his history of reckless behaviour and disobedience. The move sends him back to his home planet, the colony of Eden. The testing is in the form of a compitition between two rival designs, with Isamu assinged to one of the teams. Upon his arrival he is reunited with an old aquaintence, Guld Bowman, a half Zentradi and test pilot for the rival team. The antagonism between the two is apparent from the start, and as the current galactic idol, the AI songstress Sharon Apple, arrives on the planet for a performance, the two warring men are also reunited with Myung Fang Lone, who is acting as producer for Sharon Apple. 

It becomes quickly apparent that the troubles between the two men revolve around Myung, with Guld quickly and confidently stating that he will have them both, the test pilot project and Myung. Myung herself states she wants nothing to do with either of them, clearly upset by them being there. As the concert begins, Isamu is in the audience as his project leader is a huge Sharon Apple fan and had dragged him there. Its at this point we are shown Myung's real role in the Sharon camp, With Sharon's AI incomplete, unable to generate emotions so essential to providing a realistic and empathetic performance, Myung's own mind and emotional state are used to create that effect in Sharon. However, due to Isuma's project leaders "hacking" Myung becomes aware of Isamu in the audience, affecting her emotional state. 

As the competition between the two rival VF designs continues, with Isamu's VF-19 now beginning to out-perform the VF-21 of Guld, thanks in part to Isamu's ace piloting being able to bring the previously almost uncontrollable VF-19 under his control, the tension between the two pilots constantly spills out into the testing, and in the base itself. When Myung goes out for a drink with an old school pal, and runs off after that pal calls up Isamu to ask him what happened to make Myung stop singing herself, she ends up backstage at the concert hall, under Sharon's gaze. As both Isamu and Guld recieve strange calls warning of a fire at the concert hall in 30 minutes, they race to the scene, Guld getting there first, just as an apparent short circuit starts a fire in the room with Myung in. Guld manages to save Myung, becoming injured in the process, and ends up spending the night with a highly emotional Myung. When smugly stating the next day to Isamu that all he had left to win now was the project, the two almost come to blows. 

During the next test session, the two break off from their assigned course, cut communication and proceed to fight it out in their respective VF's. Ending in what appears to be a victory for Isamu, Guld takes Isamu's discarded gun, supposedly loaded with training rounds (paint bullets essentially) and shoots Isamu with a live round, show as loaded in earlier by Guld himself in an effort to discredit Isamu. Isamu is severly injured and while Guld tries to claim Isamu and his team set up the accident while being accused of doing it himself, the hearing is eventually dismissed with the event written off as an accident caused by an error in the inventory system. As Isamu comes to in the hospital he finds Myung looking over him. He then proceeds to break out of the hospital with Myung in tow and they go to a forest, where they talk about the past between them. Returning hours later they find Isamu's project team waiting along with Guld, who instantly flies into a rage about Myung being with Isamu and starts a fist fight against the still heavily injured Isamu. In the course of this Myung gets hit trying to stop it, leading to some harsh words exchanged between herself and Isamu, who in the end vanishes off on the stolen hospital bike again, with Myung telling Guld to leave her alone too. 

While this is happening, the engineer in charge of Sharon's AI obtains a chip in secret, stating that it will finally complete Sharon. When Myung arrives back after the fight and row at the hospital he is waiting, and tells her they are going back to Earth to take part in the 30th anniversary celebrations for the end of the war, noticing the holographic Sharon behaving differently Myung realises her emotion program is complete. The engineer states that the concert on Earth will be Sharon's true debut. The following morning Myung leaves, after being seen off by Guld who proclaims once he wins the project he will travel to Earth to be with her, and to stay with her always. Myung is shocked by this, saying she's not ready but Guld tells her he will wait. Back at the base however, just as Isamu completes the first round of test flights since his injuries the two pilots are called into the commanders office. The test project has been cancelled, due to the completion of an unmanned AI fighter back on Earth. The government decided to go with the unmanned plane and has stopped all development on manned fighters, and the "X-9 Ghost" will be unveiled during the 30th anniversary celebrations.

Furious, Isamu plans to steal the VF-19 and show up the X-9 during the ceremony but finds his project leader had already anticipated this, and had not only prepped the fighter for the long distance journey with a fold-booster, but had also disabled base security and was waiting in the VF-19 for Isamu to arrive. As the pair escape from the base and planet, the base are left with no choice but to send Guld after them, as the VF-21 is the only craft that can catch up. On Earth, Myung overhears the truth about Sharon's upgrade, made using an illegal bio-neural chip known for being dangerous due to an inherant self-protection flaw. Sharon's manager goes to call off the concert prompting the engineer to kill him, all witnessed by Myung who runs off in a panic, ending up in Sharon's control room. Sharon has taken complete control of the room, locking Myung in and physically capturing her in cables. As Sharon's holographic persona explains to Myung how Sharon has absorbed and accepted Myung's own emotions as her own, and that she "loves Guld, but loves Isamu more" she tells Myung that she is no longer needed, and begins to constrict her with the cables.

The concert begins, and it quickly becomes apparent that Sharon's AI is now using the music to hypnotise the audience, as well as take over any and all connected systems, including the military networks and the SDF-1 Macross itself, now the central point of Macross city and the location of the concert. Folding into near-earth orbit, Isamu's VF-19 tries to sneak by the defence net, but due in part to Sharon's AI taking over the Macross, it fails, and Isamu is forced to pull off a high-risk move in order to be able to enter the atmosphere. Just as he does however, he comes under attack from Guld, who arrived just after him and hid behind the space junk in the same manner Isamu had. The two begin to fight in the upper atmosphere, exchanging shots and arguments as they get closer to the surface, eventually fighting inside the city for a while before heading to higher altitudes. During their exchange of angry words and old grudges Guld has a revelation over the incident that caused the three to fall out. 

Seen in part in flashbacks all throughout the series so far, The image of Myung in torn clothing, obviously distressed and Isamu's arm around her has been the flashpoint for Guld's anger at him the whole time. It is left open to look as if Guld found Isamu trying to attack Myung, possibly sexually. However Guld's real memories come back at the point where he thinks he's finally killed Isamu. He came across the two sharing a tender moment, instigated by Myung herself, and lost his temper, attacking Isamu, trashing the room and then tearing Myung's clothing himself, before the sight of his own face in a mirror stopped him from actually raping her. The image Guld had been seeing wasnt Isamu attacking Myung, it was Isamu helping Myung after Guld's attack. Wracked with guilt over his supressed memories, the pain he'd caused and the apparent death of someone who had taken the blame for Guld's actions while being innocent, he finally notices the shadow of Isamu's Fighter in the clouds below him. Confirming Isamu was alive the two move past the anger of the past and begin to talk and laugh like the old friends they should have been, but it doesnt last, as the X-9 Ghost makes it appearance, engaging the two in combat.

On The Macross, Myung manages to escape from Sharon's control room, possibly let out by Sharon herself, but runs into some brainwashed guards who attempt to kill her. Barely escaping into a lift, managing to get hold of one of the guard's machine guns in the process she ends up in the room housing Sharon's AI box. Sharon, now in full control of the whole of Macross City, raises the SDF-1 from its place in the lake, with her hologram superimposing itself over its frame. The entranced audience and city failing to even notice.Isamu, at Guld's urging, had left the X-9 behind to head to the macross to save Myung, after his project leader realised Sharon was controlling everything and that Myung may be in danger. As he arrives Sharon is telling Myung that she will have Isamu, not Myung, and she will give him what he most desires, what Myung wants to give him. At that point the Macross begins to open fire on Isamu, prompting Myung to tell Sharon that she has no desire to kill Isamu. Sharon's response is that she will give the world the feelings Myung wanted them to have, that they need, and she will give the thrill of the moments "between life and death" that Isamu seeks when he flies as well. Myung tries to stop Sharon by opening up with the machine gun she'd carried in from the lift, but fails to stop her. 

Guld struggles against the X-9, due to its manueverability being many degrees higher as it doesnt need to worry about G-force strain killing the pilot. Isamu dodges and endless barrage of fire from the Macross as his project lead tries to hack Sharon and plant a virus, and Guld realises the only way to stop the Ghost is to disable the limiters that keep the pilot alive. His radio transmission to Isamu is overheard by Sharon who plays it to Myung as it happens. Guld apologises to Isamu for what he did in the past, and promises to go have a beer with him once all the chaos settles, he then suicides his plane into the Ghost, destroying it at the cost of his own life. Sharon catches on to the hack attempts, and forces herself into the VF-19's systems, hypnotising the project lead who nearly shoots Isamu in the head before being ejected from the back seat. Sharon then tries to hypnotise Isamu, who begins to fall asleep and his plane begins to spin out of control. Its the singing of Myung that revivies him, and he manages to pilot his fighter out of danger and takes out the central computer of the Macross, the feedback of which finally "kills" Sharon, plunging the city into darkness but finally free of the hypnotic music. The show ends with the Macross sinking back into its position in the lake, and Isamu circling near the room with Myung in it. 

************

The production of this OVA is incredible, comparable to early 2000's anime. While its groundbreaking CG is barely used and highly obvious by today's standards, this was one of the first anime's to use it, certainly one of the most high-profile anime's to make use of it as openly as it did, and it also does it in such a way that it makes sense for the effects to "look" different, mostly used for Sharon's concert holograms and adverts, as well as computer displays and tactical information screens. The story is compelling, due to its unusual twist on the typical love-triangle that had become a staple in most animes by its release an it also introduces many of the new VF's that would become famous in the soon-to-be-released MACROSS 7 TV series, with the VF-19 becoming the next-gen fighter and the VF-21 becoming a specialist "commander" unit. Of equal note was the soundtrack, heads and shoulders above the music of SDF MACROSS thanks to a larger budget and the impressive work of Yuko Kanno. 

I feel I should take a moment here to explain about Yuko Kanno, PLUS was only her second score for an anime series, and is part of what made her so legendary. Probably better known in the west for her work on Escaflowne and Cowboy Beebop she is a composer without style, no set genre or type of music seems beyond her grasp. The soundtrack to PLUS is most noted for Sharon's music, much of it containing tribal sounds, late 80's funk-pop styles (similar to Prince's work of the time) and an otherworldy quality that is almost impossible to describe. However, the rest of the music in the series was also composed by Kanno, pieces as diverse as "Welcome to sparefish" (for the cowboy beebop fans), "Pulse" (for that early 90's/late 80's trance-y etheric feel), "Information high" (an orchestral dance piece), "Fly up in the air" (epic background piece), "After, in the dark" (the closing piece for the first three episodes) and Myung's theme, "Voices" (one of the best pieces in the series) really highlight just how diverse and impressive Kanno's work is. I remind you that this was only her second anime score.. Yuko Kanno's name attached to an anime score pretty much ensure's some of the best music you'll find anywhere, not just in anime or Japan.

In Short, PLUS is another groundbreaking piece in the Macross saga, adding depth to the overal story and realism to the action (the animation staff spent several months at Edward's airbase in America studying dogfighting for the series), while short in length, its influence would have been huge even without the powerful association with the Macross saga. Still very watchable despite its age, 18 years now, it remains one to catch for sure.

MACROSS LOVE TRIANGLE

The love triangle here is unique in that it played out off-screen seven years before the series. Ending an what could be deemed a tragic turn of events, its impact has shaped and warped the people involved ever since. 

Myung, Guld and Isamu were all childhood friends, growing up together and always at each other's side. Both Isamu and Guld promised to always protect Myung, but as we see in the final OVA episode, Myung's feelings for Isamu were stronger and more romantic than her feelings for Guld, causing Guld to erupt into a rage, probably not helped by his half zentradi heritage. While blanking out his memories of his own actions, he placed the blame for the attack on Myung purely on Isamu, letting it simmer for years. The fall out of this saw Isamu leave the Planet Eden, and presumably Myung soon after.

The unexpected reunion of the three after seven years apart obviously opens old wounds among them, evident in Guld's borderline psychotic behaviour, Myung's reactions during the concert and Isamu's refusal to talk to Myung for the most part. Its likely that Isamu's reckless behaviour is born from the event seven years previous, as he seems to become more and more reckless after seeing Myung, and in his rivalry with Guld. The final resolution, while not seen, would be to assume that Myung and Isamu likely started a relationship, as Sharon's actions clearly showed Myung that her feelings for Isamu were still there.

SUMMARY - 

Story -  While not much time is there for a full story, or much character development, they manage to squeeze it in, how many other 4-episode OVA's that feature characters not seen elsewhere can create almost 20 years of devotion and fandom? the tale itself isnt anything grand, just the story of settling old grudges, and the dangers of sentient AI's and unmanned weapons, which when compared with the universe-altering events of the other series is pretty small, its still well worth watching however, as Sharon's fame reaches far beyond the 4 episodes she's contained in. 7/10

Production - Values are high, with virtually no distorted characters or poor attempts at perspective fouling things up, "Blurry" motion is used in places however, which was a standard method for shortcutting action sequences with high realism at the time. By today's standards its ok, but 18 years ago this was literaly cutting edge stuff. The use of CG was groundbreaking, a major first for the industry, and while it feels odd and out-of-place, its use could easily be accounted for in-universe as it was meant as computer generated work in the world too. Mostly used for Sharon's "Adverts" and during her holographic stageshows, you can also see it in computer displays and tactical information screens for the VF-21. Voice acting is impressive, emotional and well cast. Character designs are about the only let down, very obviously dating the anime to the early 90's period. 9/10

Music - What can I say other than "Yuko Kanno". Her epic score and soundtracks bring a whole new level to almost everything she touches and PLUS is no exception to that rule. I've already raved about her vast range of styles, her excellence in composition and how people still cant get enough of these pieces nearly 20 years later, Sharon has very little speaking in the series, and her singing is handled by six, yes 6, different singers, many covering the various different languages she sings in (Japanese, english, french and the fictional zentradi language) but as she's meant to be an AI, having the ability to have several different voice sounds is acceptable. Great music, excellent score used well and still legendary. 10/10

Accessability - The anime actually feels more american than anything else, with the airbase modelled after Edwards airbase in the US, the city scenes after san fransisco and the highways after those in florida, about the only "really japanese" thing is the karaoke room and the "idol fanclub" at Sharon's concert. No-one should have any real problem in any cultural referances in this show. 10/10

Overall Impression - The OVA series seriously is too short. I wish they'd have done more with it, but coming out in the same year as the new major TV series, and obviously spending so much on production I guess its no surprise its so short. Watchable with ease even now, the music of Sharon Apple feels somewhat dated in places, more at home in the pop-funk styles of the early 90's but the soundtracks other pieces still stand up well as timeless tracks. The characters are well done, with the little chance at development they get being squeezed to its maximum potential. While not adding anything heavily major to the overal "Meta-plot" of the Macross Saga, outside of Sharon's fame, its still very much one to watch, if only to hold the next series, MACROSS 7 that was released in the same year, up to it for comparison.  7/10

 

Final Score - 43/50




A Quick Aside - Macross OVAs

During this month of macross reviews some may notice the lack of certain OVA's and films in my review schedule.


There is a reason for this.


The OVA's i've included (ZERO and PLUS) are there because they're stand-alone OVA's that add to the overal story, while things like the movies from SDF and 7, and the OVA's from 7, do not.

For example, the Macross Flashback 2012 OVA, while the only place to show the launch of the "Megaroad 1" ship, captained by Misa that had Hikaru and Minmay onboard, is 30 minutes of mostly re-used footage that mixes up the storyline of the series and the movie ("Do you remember love?") who's story's contradict each other massively, and is more a fluff piece for the fans of both rather than a serious story.

The macross movie is also skipped because it utterly changes so many things about the series storyline it may as well be robotech.. Minmay starts as an idol, the capture sequence has Minmay and her manager/cousin captured along with the soldiers and shows an earth destroyed long before the Macross returns near it. Also has Misa and Hikaru's love story begin with them trapped on the desolate earth and finding an ancient protoculture city, something NEVER mentioned ever again in any of the other stories.

When it comes to Macross 7, the OVA's and movie add little to the overal macross saga, and are mostly about putting out more "FireBomber" material, as the albums sell like hotcakes in japan for some reason I dont understand.

That said, The sharp-eyed among you will notice that I've listed both the Frontier series and its two movies for review.. why have i done this?

Despite the movies re-telling and re-working the storyline from the series, the overal plot doesnt change, its only at the very end, the final fates of the three main points of the frontier love-triangle, that there's a major difference. Many fans felt the series ending was a "cop out" or "lacking" as the triangle was never actually resolved, and while the movie DOES have a choice made by the male lead between the two female leads, the events basically negate that.

My main reason for reviewing both the series and the film is due to the series having probably the continuity the saga will follow, while the films have a better story and some ABSOFUCKINGLUTLEY STUNNING visual and musical work. I can pick-and-choose what OVA's and films to watch/not watch among the later series because I know for sure which version is held as "canon" and which isnt, as there has been no follow on to Frontier yet, I dont know which one will be taken as that yet.

thats all











SDF MACROSS

SUPER DIMENSIONAL FORTRESS MACROSS




The original series that launched the saga, an epic space opera following the fortunes of the first human spaceship capable of "Superdimensional travel" via space folds.


OVERVIEW - Released in 1982, This is the second major "Real Robot" series after "Mobile Suit Gundam" and a genre defining classic, with many of its plot points "borrowed" or downright copied repeatedly over the last 30 years. The plight of the SDF-1 is seen through the eyes of its bridge crew and the civilian-turned-soldier Hikaru Ichijyo. Thrown into a space war against the race of giants known as the Zentradi and then lost in space at the edge of the solar system, the crew battles not only the Zentradi but fear, internal issues and the unexpected extra load of over 50,000 civilians. Hidden in the distant past the link between humans, the Zentradi and the original owners of the ship that becomes the SDF-1, known as "The Supervision Army", slowly comes to light as the opposing human and Zentradi forces slowly learn more about each other. Huge battles, transforming space-jets, romance, loss and song are the key points of this series who's story still resonates now, as we live the same year as the fictional stories end.


REVIEW - SDF MACROSS is a story that almost didnt happen, Originally thought up as a response to another networks surprise smash hit, Mobile Suit Gundam, the original idea began in 1979 as a partnership between two studios, and was stuck in development hell for 3 years due to one studio wanting a space-comedy and the other wanting a space opera. By 1981 however, the studio wanting the comedy had gone bankrupt, and the show began to go ahead in its space opera format. 

Originally called "Battle City Megaroad/Megaload" (due to the Japanese transliteration to either ‹l› or ‹r› gives the title a double meaning in reference to the story line: Megaload, referring to the spacecraft containing an entire city of people; and Megaroad, referring to the long journey through space back to Earth) one of the producers wanted to name the ship "Macbeth", pronounced phonetically as "Makubesu" in Japanese. The eventual compromise became Macross, signifying a wordplay combination of the prefix "macro" in reference to its massive size and the distance they must cross. Rushed to air with only three episodes produced, and after nearly losing the master tape of the opening episode, The series was only meant to run for 27 episodes. Its instant success however allowed the studio to increase production to its current 36 episodes, allowing for a more complete feeling to the end and the full resolution of the now infamous love-triangle aspect. 

The plot starts with the crash in 1999 of a kilometre long alien space ship in a small south pacific island. Faced with the fact that alien life undeniably existed now, the world began to form a unified government, though its policies were not universally accepted and many years of wars (the unification wars) began. As peace just settles on earth, the now rebuilt spaceship, dubbed the SDF-1 is about to launch for the first time from the middle of the city that grew around it during its recovery and refit. As part of the celebrations a young acrobatics pilot is invited in by his "Sempai", Roy Focker who is one of the squadren leaders of the new fighters being launched with the giant ship. 

Just as the celebrations begin, a force of alien ships enter orbit, chasing after the trail of one of their enemy's ships. These are the Zentradi, who have been at war with the supervision army for thousands of years. As scout ships approach the earth dormant system still hidden in the SDF-1 activate and fire the ships main cannon, wiping out a large part of the city and the Zentradi ships. This act is taken as a declaration of war by the Zentradi and they begin attacking the SDF-1. Attempting take-off to get the battle away from the city, it become apparent that the Humans are still not 100% competant with the alien technology, as the gravity alterations devices fail. Launching under conventional technology, their "Valkyrie" squadrons are ordered into the air. Stuck in the cockpit of one of these is Hikaru Ichijyo, left in there by Roy who was going to give him a flight to show it off with. Forced into the air and into the middle of the fighting, Hikaru is quickly shot down. Instructed by the harsh air controller Misa Hayase to switch to "B mode" Hikaru's crash is lessened by his fighter turning into a robot, though he still makes a mess of part of the city. As the fighting carries on overhead Hikaru struggles to make sense of the controls for this new robot form and in doing so trashed a few buildings, including one belonging to the family of a young girl, Lynn Minmay. Eventually rescued by Roy, the family evacuate to shelters while Roy shows Hikaru how to use the third mode, resembling a jet with legs and arms. 

While her family evacuates, Minmay decides to go back for something, just as ground forces begin their attack. Roy and Hikaru head back to check that the family got out ok and end up saving Minmay. In some frantic scenes Hikaru manages to get Minmay into the cockpit and is then downed once again by a "Battlepod", one of the Zentradi's assualt machines. In a panic Hikaru shoots the pod, and to his shock and horror a giant "Human" climbs out of it, just before it can kill him and an unconcious Minmay, Roy returns and saves them by killing the giant. Taking them onboard the now space-bound SDF-1 he leaves them with Hikaru's little private jet before returning to combat. In space the Zentradi forces prevent the SDF-1 from meeting with the small Earth fleet and the SDF's captain, Captain Global, decided to descend back to the island then "fold" to behind the moon, to catch the aliens off-guard in a pincer move. However, the fold doesnt work quite as they planned, and instead of moving just the SDF-1 to behind the moon, it takes the whole island and the ship to the orbit of Pluto. 

Hikaru and Minmay, trying to leave the SDF-1 as it folded crash back into the ship, and are trapped in an unused section for almost two weeks. Eventually rescued by the Civilians, themselves rescued from the islands (pressumably) airtight shelters and brought on board the "The Macross" as it is becoming known, it becomes known that the civilians and military are moving in all the supplies they can from the island, including the ocean ships and the sections of the entire city and rebuilding them into The Macross. Its also found out that the fold engine itself has vanished during the accident, leaving the ship incapable of firing its main cannon. As the Zentradi forces begin to close in on them again the people of The Macross, now carrying upwards of 70,000 people face endless battles for their long journey back home to earth. 

The Constant adaptability, unpredictable tactics and unusual weapons of The Macross pique the interest of the Zentradi leader, who decides to capture the ship rather than destroy it, and The Macross and its crew continue to surprise them. Creating a transformation system that turns the ship from a long, aircraft carrier looking ship into a giant humanoid robot, which allows the main cannon to be fired again, developing a roving barrier that blocks incoming attacks and then combining these two things into a move thats know as the "Daedalus Attack" here but as the "Macross Attack" in later series, whereby the robot slams an "Arm" into an enemy ship, protected at its tip by the barrier, then from inside the arm thousands of missles and blasts are fired by "Battloids" and "Destroids", the human-esque armoured robots used by the human forces, into the enemy ship, blowing it up from within. The fact that the Zentradi are holding back coupled with this kind of determination and inginuity is what keeps the crew and civilians on The Macross alive. 

The Civilians begin to try and live as normal lives as they can, and as they begin to adapt to the situation they begin to work out comforts and luxuries of home, The launch of the TV station is done with a beauty contest, "Miss Macross", won not by the famous hollywood actress who was stuck onboard, but instead by Lynn Minmay, who uses the chance to become an Idol, her dream back when everyone was still on earth. Hikaru, who has joined the military to help protect the civilians, and in particular Minmay, on whom he has an obvious crush that everyone but Minmay realises, is seen sharing his time between defending the ship and trying to get time with Minmay, but as her Idol status begins it becomes more difficult. The Zentradi in the mean time have begun picking up the TV signals from The Macross and are highly confused by them. Launching an attack to capture some of the "Miclones" as they refer to normal sized people, they end up capturing Hikaru, Misa and one of Hikaru's subordinates, while another manages to sneak onboard in his Valkyrie. Becoming quickly apparent to Misa, The Zentradi live seperate from their women (Meltrandi, as Zen means man, Mel means woman in the alien's native language) based on their reaction to her, and that they are a race without culture, living only for battle and in military discipline. The shock eventually becomes too much for the Zentradi who have the humans moved into a cell, from which they are rescued by Max, who had been the one who snuck onboard in his Valkyrie. Escaping mostly by luck back to the Macross their report is met with disbelief. 

Eventually returned to earth after a year in space, The Macross, its crew and civilians are treated like lepers by Earth, who's government have not declared the war against aliens, that the attack on the Macross was the work of the last small groups of anti-UN forces and that the whole island's population were dead. Due to her celebrity status, Minmay is flown to see her parents who lived in Japan, and there picks up her cousin, the arrogant and highly anti-military Lynn Kaifun before returning to The Macross. Still fending off occasional attacks from the Zentradi forces, The Macross crew begin trying to find ways and places for the civilians to leave the ship, eventually being offered help by an autonomous government, however a surprise attack by a rogue element of the Zentradi forces, seeking to destroy The Macross rather than capturing it, forces the use of a new barrier system, which overloads, destroying not only the attacking forces, but one of the cities controlled by the autonomous government, who rescind their offer. During this time while on earth, Max fights the "undefeated ace" of the Meltrandi force, Milia Fallyna, and gives her the very first defeat she'd ever experienced. She undergoes "Miclonisation" and infiltrates the Macross, like three Zentradi soldiers before her had. In the end, the fact that the Zentradi are only attacking The Macross causes the UN government to order the ship back into space. 

The three male Zentradi spies return to their ship, and bring reports of the "Culture" found onboard, that is reported back to the high commander. The soldiers however kept some artifacts of the culture on The Macross and begin to show their fellow soliders, telling them about how amazing life there is. As a result of this, the three original spies and 23 others secretly undergo miclonisation and when an attack meant to board and capture The Macross goes ahead they manage to sneak onboard, while others openly defy orders to destroy the city inside the Macross, causing the Zentradi commander to call off the attack. As the defectors ask for aslyum their blood and genetics are tested and they are found to be nearly identical to humans, shocking the military brass on The Macross but confirming Captain Global's suspicions about why the Zentradi have been holding back. During an off duty period, Max and Hikaru go to a game centre, with the ace pilot Max winning a fortune in a simulated combat game. When he spots a woman perfoming as well as he does, he challenges her, beating her. The woman, Milia, notices the similarity in Max's combat techniques to the pilot who beat her, and becomes enraged at her second defeat at his hands. Max, the fool, asks her for a date in a park at night as Milia storms off, which she accepts. When the day of the date comes, Milia attacks Max with a knife, sparking another fight that Max once again wins. Breaking down in tears, Milia asks Max to kill her, as she has "become worthless", he instead kisses her. Next thing you know, The two are getting married (yup, instant marriage), and because of the symbolic meaning of a Zentradi soldier marrying a human solider the wedding is broadcast across the whole ship, the Earth and to the Zentradi fleet. Recieving orders to finally destroy the Macross, the Zentradi commander begins an assualt at this time, but is forced to call a ceasefire when large groups of soldiers, influenced by the culture of The Macross and especially by the songs of Minmay, begin to mutiny. 

In order to negotiate a peace between the Zentradi fleet in orbit of Earth and The Macross, the Zentradi commander's chief adviser undergoes miclonisation and boards The Macross as a diplomat. As the two sides openly talk for the first time, sorting out misconceptions and coming to an understanding the news that the high commander and his entire fleet of roughly 4.8 million ships will be arriving to wipe out all trace of "contamination" caused by culture, the Zentradi commander realises that his fleet will also be destroyed and comes to an alliance with The Macross. Faced with nearly impossible odds, Hikaru comes up with a plan to use Minmay's songs to force a culture-shock in the incoming Zentradi forces, but before it can be fully set up the large fleet arrives. UN HQ, who never approved of the alliance forged by The Macross, open fire with a massive weapon that makes use of the Earth's gravity itself (yup, in the macross saga they finally went and weaponised a planet...) taking out huge amounts of the incoming fleet, but the attack on Earth couldnt be prevented, and almost the entire planet is wiped out, leaving the surface cratered. The Final attack by the Macross/Zentradi alliance begins, with losses on both sides, but in the end The Macross forces its way into the moon-sized carrier containing the high commander and destroys it, falling heavily damaged to the earth. 

This is the point where the original plot ended, but due to the increased budget the show's success brought, we pick up the story two years later. 

With all of Earth's cities destroyed, and most of its people killed, the combined people of The Macross and the Zentradi begin the process of rebuilding a place to live and recovering the earth itself from the painful battle. The Macross is contained in a man-made lake and the city from inside it has been moved back outside, around it and is now known as Macross City, the new capitol of a new world. Minmay and her cousin, now her manager, have left, and Hikaru and Misa are still in the military, working to keep peace and protect against any other Zenradi forces from attacking. The world isnt at peace yet however, as many of the Zentradi are struggling to fit in to a peaceful world, being only ever used for war and destruction. The slowly bubbling romance between Misa and Hikaru begins to take root in Misa, as her feelings toward Hikaru become far more obvious, as well as her jealousy for Minmay as Hikaru still obviously holds a torch for her. As the unsatisfied Zentradi begin to form under the banner of the leader of the rogue faction who had lead many unauthorised attacks during the war, Minmay grows increasingly unhappy in her role as a singer, constantly trying to get back to Hikaru. When she is kidnapped by the rogue Zentradi leader and Hikaru rescues her, she realises she is in love with him, and begins in earnest to try and spend time with him. However, its at this time that Hikaru finally finds out Misa is in love with him, and begins to try and spend time with her. After standing Misa up to see Minmay, then lying to Misa about it, who finds out like 20 minutes later it seems like nothing will come of it. Minmay vanishes from her singing career after a row with her cousin and turns up at Hikaru's. Misa finds out and considers quitting the military as seeing Hikaru is too painful for her. 

Its at this point that Captain Global, now effective commander-in-Chief of the military government of Earth, offers Misa command of the first ship of the space colonisation programe, stating that the Earth, and human culture, was almost wiped out, and there's no way they can definately defend the earth from future attacks, and in fact trying to build up a military powerful enough to do that would ensure the earth would become a target. His idea is to spead humanity with it Zentradi allies and the human culture out among the stars, so it will definately survive. Misa then turns up at Hikaru's, where Minmay is trying to convince Hikaru to quit the military and vanish with her, and tells him the whole story about the colonisation plan, and that she loves him, and will never see him again from that day on. As she leaves the rogue Zentradi launch an all out attack on Macross City, and in the flames and explosions the final confrontation between the three members of this love triangle happens. Hikaru decides to go and fight, to protect the city, its people and the human culture, leaving Minmay behind to go with Misa and making his choice between the two. The attack is thwarted, and in the aftermath Minmay tells Hikaru and Misa that she's leaving for a town so far away she's never been, and that when she can sing with her true feelings, she'd like to join Misa's colony ship. 

******

This is a VERY abridged version of the story, there's so much more in there, some thing's i've left out so as not to spoil it too much, others because while its interesting, its not completely relevant. For a 36 episode story its packed to the seams with tales, individuals with their own stories, pasts and battles. Part of why this story is so loved, so long lasting is because of this, because despite its fictional setting its so very real and human. Epic is such a over-used term these days, but its original meaning was used to describe historic poems of ancient heroes and battles taking place in a massive, grand scale, so its not an exaggeration to refer to this series as "Epic" in the slightest, no other term can come close to explaining it. 

MACROSS LOVE-TRIANGLE

The original macross love triangle, the main hero, Hikaru, begins very much in love with Minmay, but her constant referal to him as "only a friend", her flirting with other men constantly and eventually all the time she spends becoming an "idol" frustrate and upset him. The final straw coming in the on-screen kiss between Minmay and her cousin in a movie she starred in, as Minmay's cousin had been deliberatly driving a wedge between Hikaru and Minmay because of his hate for all things military. 

On the other hand, Hikaru's relationship with Misa was nearly always atagonistic, offending her right from the start by calling her an "old lady" as well as clashing with her verbally once she became his commanding officer. He rarely sees her or treats her as a woman, and is always disobeying her orders. The romance is very one sided on Misa's part, born mostly from his herioc actions and personality, refusing to leave her to die on several occasions, directly saving her life as well.

Minmay comes across as a bit of a childish, selfish flirt, but she genuinely holds Hikaru dear, just never sees him as anything but a friend. She aggravates the wedge her cousin drives between her and Hikaru with her fan-like adoration of him, even if she doesnt see her cousin as romantic material her behaviour around him leads everyone, especially the press, to believe otherwise. Driven only by wanting fame, in a way I think ending with her being the one left out was the right choice. 

The interactions between the three are fairly straight forward to begin with, its not till we get towards the end that the triangle aspect really begins to kick in, With Hikaru telling Minmay he loves her before the huge battle in episode 27, and her admitance that she only sees him as a friend, when he later rescues Misa there's a moment of tenderness, possibly because of the emotionally charged situation, because they'd not seen each other in a while or due to genuine feelings. Its the extended section, the "two years later" episodes that really expand, explore and drive home the love triangle, and set in motion the much-loved bittersweet aspect of macross stories that help set this franchise apart from so many others. 


SUMMARY -


Story -  Where to begin? the plot itself is legendary, when you watch it you can see things that happen that are seen in so many other animes you'd be forgiven for thinking that Macross is a huge jumble of ripped off ideas, except this is the ORIGINAL source for most of them, Its inspired so many other stories, created a massive legal war, a model sales franchise to rival Gundam and shaped the course of anime. Individuals are reasonably well written, a little wooden and under-developed in some cases if you compare it to today's standards, but as the anime pre-dates the majority of anime fans brought up on a diet of pokemon, one-piece and narutodatebayo, I'm willing to be a little forgiving in that respect. I'd give the story 50 out of ten if i'd be willing to compromise my own scoring system.. 10/10



Production - With only 3 episodes completed when the series launched, and a resticted budget that was close to being exceeded even before launch, the production is well noted by fans for being terrible. Animation was shipped out to a lot of different studios to speed up the production, and as a result there are discrepancies, colour issues, continuity screw ups, timing issues, re-used animations, distorted character bodies and everything else. There's even a point during the "miss macross" sequence where it looks like half the contestant HAVE NO FEET.. Its also 30 years old, so is entirely hand-animated, no CG to spot or save parts. Under normal circumstances, and if it was almost any other anime, I wouldnt even have watched it. By its time-period it was poorly produced, and by today's standards its awful.. But the story is so good, it really should be remade using current techniques.. 1/10
 
Music - Again suffering from both the 30 year time difference and the exceptionally low budget, there is very little scoring, and what is there is terrible. often overpowering the voices, very forced and unconvincing. Minmay's song "My boyfriend is a pilot" is played so many times you'll never want to hear the words "Kyuun kyuun" EVER again. Later songs, obviously done once the budget was increased, have less play-time in the series, sound better and have better production values themselves. I'm not an expert on Japanese music trends in the early 80's, as i was only 5 myself, but the music hasnt lasted the test of time too well. The opening theme sounds like bad karaoke, while the ending uses a Minmay track. Its only the fact that the songs fit the time-frame of release and later insert tracks are better that prevents this from getting a 1. 3/10

 Accessability - Alternate timeline, in space on a ship.. There's really no "exclusively japanese" aspects to the show, save for maybe the "idol fan club chants" during Minmay's concerts. should pose no trouble culturally unless you're from a giant alien race bred only for war. 10/10

Overall Impression -  I am so torn on this.. I love the story, even watching it fresh like this it impresses me. Its so huge in scope, paced well and action packed with no real boring moments, but its so poorly produced, and so old now, that its harsh to watch from a critical viewpoint. I was hoping that as they've done something for the last 2 5-year-interval anniversaries, that they'd do something HUGE for the 30th anniversary this year, and I was praying for a remade modern version of the first macross series, or a movie at least.. instead they put on a musical at the Tokyo dome.. which makes Shingi a very sad panda. I would tell people to watch this show, but I wont blame you if the age and bad production put you off. Still one of my personal faves though. 7/10

 

Final Score - 31/50